A work in constant progress (and occasional regress).
Birthplace:
Louisville, Kentucky, USA
Born:
May 10, 1976
Nathan Thomas Milliner is a writer/director from Louisville, Kentucky. After nearly 20 years working as a comic book artist/writer/creator, Nathan first broke into film in 2008 when a comic he created called "Girl Number Three" was optioned for a feature film. Milliner would serve as both screenwriter, producer and several other duties on the movie. Milliner is also known for his commercial art work. He has illustrated dozens of movie posters for various films and over 70 Blu ray covers for Scream Factory, Code Red, Synapse, various distributors in Europe and many independent films. He's worked for HorrorHound Magazine, Fright Rags, NECA, Playboy Magazine, Trick or Treat Studios and many other clients providing artwork for various projects. He's appeared in several films and TV shows as an actor and as himself in several documentaries that include Scream Queen and Fredheads. He has also been involved in sculpting, FX, sound design, art direction, production design, story boarding, color grading, set building, costuming, props, and various other jobs in film.
Co-Producer:
2016 Volumes of Blood: Horror Stories
Director:
2014 A Wish for the Dead
2015 Volumes of Blood
2016 Volumes of Blood: Horror Stories
Editor:
2014 A Wish for the Dead
2015 Volumes of Blood
2016 Volumes of Blood: Horror Stories
Executive Producer:
2009 Girl Number Three
2014 A Wish for the Dead
2015 Volumes of Blood
2016 Volumes of Blood: Horror Stories
Writer:
2009 Girl Number Three
2014 A Wish for the Dead
2015 Volumes of Blood
2016 Volumes of Blood: Horror Stories
2020 Wicked Ones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.