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Blair Foster

Biography from TheMovieDB

Blair Foster is a filmmaker who won two Emmys for her work on the Academy Award winning film, Taxi to the Dark Side as well as an Emmy for Martin Scorsese’s George Harrison: Living in the Material World. In 2017 she directed and produced, along with Alex Gibney, Rolling Stone: Stories from the Edge for HBO. She also produced the Netflix documentary Get Me Roger Stone which premiered at the Tribeca Film Festival. Foster produced the Emmy nominated Sinatra: All or Nothing at All and the Peabody Award winning Mr. Dynamite: The Rise of James Brown both directed by Alex Gibney.She is the Executive Producer of The History of the Eagles as well as We Steal Secrets: The Story of Wikileaks. In 2012 Foster produced Park Avenue: Money, Power and the American Dream, part of the Peabody Award winning International Why Poverty series. She is the co-creator and director of The Conversation, seven short films about race published by the New York Times Op-Doc series. Blair attended graduate school for history and has a Master’s degree in documentary film from Stanford University.

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Film Production

Associate Producer:
2005  Saturday Night Live in the '80s: Lost and Found

Casting:
2005  Saturday Night Live in the '80s: Lost and Found
????  Black Spartans

Casting Associate:
2005  Saturday Night Live in the '80s: Lost and Found
2020  Words on Bathroom Walls
????  Black Spartans

Co-Producer:
2005  Saturday Night Live in the '80s: Lost and Found
2008  Taxi to the Dark Side
2020  Words on Bathroom Walls
????  Black Spartans

Consulting Producer:
2005  Saturday Night Live in the '80s: Lost and Found
2008  Taxi to the Dark Side
2018  Robin Williams: Come Inside My Mind
2020  Words on Bathroom Walls
2021  Totally Under Control
????  Black Spartans

Director:
2005  Saturday Night Live in the '80s: Lost and Found
2008  Taxi to the Dark Side
2013  History of the Eagles
2015  A Conversation with White People on Race
2018  A Conversation with My Black Son
2018  Robin Williams: Come Inside My Mind
2020  Words on Bathroom Walls
2021  Totally Under Control
2022  Take Your Pills: Xanax
????  Black Spartans

Executive Producer:
2005  Saturday Night Live in the '80s: Lost and Found
2008  Taxi to the Dark Side
2013  History of the Eagles
2013  We Steal Secrets: The Story of WikiLeaks
2015  A Conversation with White People on Race
2018  A Conversation with My Black Son
2018  Robin Williams: Come Inside My Mind
2020  Words on Bathroom Walls
2021  Totally Under Control
2022  Take Your Pills: Xanax
2025  EXODUS
????  Black Spartans

Producer:
2005  Saturday Night Live in the '80s: Lost and Found
2008  Taxi to the Dark Side
2013  History of the Eagles
2013  We Steal Secrets: The Story of WikiLeaks
2014  Mr. Dynamite - The Rise of James Brown
2015  A Conversation with White People on Race
2018  A Conversation with My Black Son
2018  Robin Williams: Come Inside My Mind
2020  Words on Bathroom Walls
2021  Totally Under Control
2022  Take Your Pills: Xanax
2023  Silver Dollar Road
2025  EXODUS
????  Black Spartans

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TV Production

Director:
2017  Rolling Stone: Stories From the Edge
2018  The Clinton Affair

Executive Producer:
2013  History of the Eagles
2017  Rolling Stone: Stories From the Edge
2018  The Clinton Affair

Supervising Producer:
2011  George Harrison: Living in the Material World
2013  History of the Eagles
2017  Rolling Stone: Stories From the Edge
2018  The Clinton Affair

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.