A work in constant progress (and occasional regress).
Alias:
Chester L. Slomka
Chet Slomka
Dialogue Editor:
1989 The Favorite
Sound Editor:
1980 Smokey and the Bandit II
1981 Absence of Malice
1981 Outland
1982 Tempest
1984 The River
1984 Where the Boys Are
1985 Ladyhawke
1986 Violets are Blue
1987 Roxanne
1987 Stakeout
1988 Tequila Sunrise
1988 The Milagro Beanfield War
1989 Black Rain
1989 The Favorite
1990 Internal Affairs
1990 Jacob's Ladder
1992 Sneakers
1994 The Favor
Sound Effects Editor:
1978 Hooper
1980 Raging Bull
1980 Smokey and the Bandit II
1981 Absence of Malice
1981 Outland
1981 True Confessions
1982 Tempest
1983 Blue Thunder
1984 The River
1984 Tightrope
1984 Where the Boys Are
1985 Ladyhawke
1986 Violets are Blue
1987 Roxanne
1987 Stakeout
1988 Tequila Sunrise
1988 The Milagro Beanfield War
1989 Black Rain
1989 The Favorite
1990 Internal Affairs
1990 Jacob's Ladder
1992 Sneakers
1994 The Favor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.