A work in constant progress (and occasional regress).
Chloe Arbiture is an Emmy-nominated production designer and member of the Art Directors Guild. Chloe’s television credits include: AppleTV+'s Manhunt, FX's American Horror Story: Double Feature (season 10) and American Horror Story:1984 (season 9), NBC’s Chicago Med (season 4), and Comedy Central’s Drunk History, for which she earned an Emmy nomination (season 4) and an Art Director’s Guild nomination (season 5). Chloe also has experience working in independent film, including Chappaquiddick, Brave New Jersey, Honeyglue and Thrill Ride. Her latest project is Blade Runner 2099 for Alcon/Amazon/Scott Free Productions, created by Silka Luisa and executive produced by Ridley Scott. Chloe approaches every project as part artist, part storyteller, part historian. Her love of research and expansive knowledge across many time periods is reflected in every project she designs. Chloe’s keen eye for detail and composition comes from her studies in fine arts, and her love of visual storytelling is evident in the layered, detailed sets she creates. Her knowledge of miniatures, forced perspective, and her hands-on approach to design adds depth and creativity while keeping up with demanding production schedules. In 2018, Variety listed Chloe in their Artisans Elite “Up Next” series. Her work has been showcased in numerous film festivals (Cannes, Sundance, Toronto) and she is a current member of the Television Academy of Arts and Sciences.
Production Design:
2016 Honeyglue
Supervising Art Director:
2016 Honeyglue
2018 Chappaquiddick
Art Department Assistant:
2007 The Guild
Production Design:
2007 The Guild
2011 American Horror Story
2024 Manhunt
2025 Side Quest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.