Zia Anger

Zia Anger works in moving images. In 2018 she began touring a new solo performance that traces the last ten-years of her lost and abandoned work, titled MY FIRST FILM. The performance was named by The New Yorker as one of the “Sixty-two Films That Shaped the Art of Documentary Filmmaking.” Her most recent short MY LAST FILM premiered at the 53rd New York Film Festival. In 2015 her short I REMEMBER NOTHING had its world premiere at New Directors/New Films and its international premiere at Festival del film Locarno.  She has made music videos for various artists including: Mitski, Beach House, Maggie Rogers, and Jenny Hval; the latter of whom she also toured with - as a performer and stage director. Her work has been written about in various publications including: The New Yorker, Cléo, The New York Times, Mubi, Cinemascope, and Filmmaker Magazine. In 2016 Zia participated in the Sundance Institutes Screenwriter's Intensive. In 2015 Zia was included in Filmmaker Magazine's "25 New Faces of Independent Film" issue. She is a 2015 fellow in film/video from the New York Foundation for the Arts. In 2008 she was the recipient of the Panavision New Filmmaker Grant for her short film LOVER BOY. BA/BS Ithaca College; MFA School of the Arts Institute of Chicago.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.