A work in constant progress (and occasional regress).
Director:
2021 A Slice of Romance
2021 Dying for a Good Grade
2022 Love & Where to Find It
2022 Love, Fashion, Repeat
2022 The Attraction Test
2023 Love on your Doorstep
Props:
2021 A Slice of Romance
2021 Dying for a Good Grade
2021 Snake Eyes: G.I. Joe Origins
2022 Love & Where to Find It
2022 Love, Fashion, Repeat
2022 The Attraction Test
2023 Love on your Doorstep
Script Supervisor:
1997 Trucks
2000 Task Force: Caviar
2000 Trial By Fire: A North of 60 Mystery
2001 Halloweentown II: Kalabar's Revenge
2002 Framed
2009 Possession
2010 A Family Thanksgiving
2010 Encounter with Danger
2021 A Slice of Romance
2021 Dying for a Good Grade
2021 Snake Eyes: G.I. Joe Origins
2022 Love & Where to Find It
2022 Love, Fashion, Repeat
2022 The Attraction Test
2023 Love on your Doorstep
Director:
2010 R. L. Stine's The Haunting Hour
2013 Spooksville
2014 Some Assembly Required
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.