A work in constant progress (and occasional regress).
Alias:
Cheryl 'Pepsii' Riley
Cheryl Riley
Birthplace:
Brooklyn, New York City, New York, USA
Born:
October 18, 1968
Cheryl Bridget 'Pepsii' Riley is an American singer and actress. Riley is best known for her music during the late 1980s through the early 1990s, most notable; 1988's R&B ballad "Thanks for My Child". Riley also starred in multiple Tyler Perry stage plays and films. After high school, Riley worked as a nurse for disabled children before beginning her singing career. Riley began her music career as a lead singer in the band Stargaze, who released the single "You Can't Have It" in 1982. In November 1988, Riley topped the US R&B chart and hit the Top 40 on the pop chart at No. 32 with the ballad, "Thanks for My Child," a song written by Full Force. Her second LP, Chapters, was issued and yielded the singles "How Can You Hurt The One You Love" and a cover of Aretha Franklin's 1968 hit "Ain't No Way". Her third album All That! was released by Reprise, and featured the singles "Gimme" and "Guess I'm In Love." After a hiatus from the entertainment industry, Riley re-emerged in the late 1990s by appearing on the songs "I Love It" and "Look Around" on The Beatnuts album A Musical Massacre. She also starred in a number of gospel plays for best-selling playwright Tyler Perry, including Madea's Class Reunion, Madea Goes to Jail, Why Did I Get Married?, Laugh to Keep from Crying, Madea's Big Happy Family and A Madea Christmas. She also appeared in the film versions of Diary of a Mad Black Woman and Madea's Big Happy Family. She is also starred in Tyler Perry's Madea Gets a Job (2012) and Hell Hath No Fury Like a Woman Scorned (2014). Following her appearance on a number of tracks on the Diary of a Mad Black Woman soundtrack in 2005, the following year Riley released Let Me Be Me, her first album in fourteen years. In 2015 she released a new solo album entitled Still Believe.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.