A work in constant progress (and occasional regress).
Alias:
Kazuko Nakajima
中島 和子
Kazuko Nakashima (中島 和子, Nakashima Kazuko) is a color designer working for CloverWorks. Previously, she worked for A-1 Pictures. She is best known for her works in Ano Hi Mita Hana no Namae o Bokutachi wa Mada Shiranai. (AnoHana: The Flower We Saw That Day), Kannagi, Ookiku Furikabutte: Natsu no Taikai Hen (Big Windup! The Summer Tournament), THE iDOLM@STER, Sword Art Online, Shigatsu wa Kimi no Uso (Your Lie in April), Kokoro ga Sakebitagatterunda. (The Anthem of the Heart), Occultic;Nine, Granblue Fantasy: The Animation, Darling in the Franxx, and Yakusoku no Neverland (The Promised Neverland).
Color Designer:
2007 Big Windup!
2008 Kannagi
2011 AnoHana: The Flower We Saw That Day
2011 Fractale
2012 Black Rock Shooter
2013 Galilei Donna
2013 Vividred Operation
2014 Your Lie in April
2018 DARLING in the FRANXX
2019 Fate/Grand Order Absolute Demonic Front: Babylonia
2019 The Promised Neverland
2021 Wonder Egg Priority
2022 Tokyo 24th Ward
2023 UniteUp!
2024 The Elusive Samurai
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.