A work in constant progress (and occasional regress).
Alias:
Henri-Robert-Marcel Duchamp
Birthplace:
Blainville-Crevon, Seine-Inférieure [now Seine-Maritime], France
Born:
July 28, 1887
Died:
October 2, 1968
Henri-Robert-Marcel Duchamp was a French, naturalized American painter, sculptor, chess player and writer whose work is associated with Cubism, conceptual art and Dada, although he was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art. By World War I, he had rejected the work of many of his fellow artists (like Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind. He is considered by many critics to be one of the most important artists of the 20th century, and his output influenced the development of post–World War I Western art. He challenged conventional thought about artistic processes and rejected the emerging art market, through subversive anti-art. He famously dubbed a urinal art and named it Fountain.
Co-Director:
1957 8 x 8: A Chess-Sonata in 8 Movements
Director:
1926 Anemic Cinema
1947 Dreams That Money Can Buy
1957 8 x 8: A Chess-Sonata in 8 Movements
2010 Cinema of the avant-garde 1923 - 1930
Idea:
1926 Anemic Cinema
1947 Dreams That Money Can Buy
1957 8 x 8: A Chess-Sonata in 8 Movements
2010 Cinema of the avant-garde 1923 - 1930
Poem:
1926 Anemic Cinema
1947 Dreams That Money Can Buy
1957 8 x 8: A Chess-Sonata in 8 Movements
1961 Dadascope
2010 Cinema of the avant-garde 1923 - 1930
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.