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John La Briola (b. 1962)

Birthplace:
Denver, Colorado, USA

Born:
October 18, 1962

Biography from TheMovieDB

American actor John La Briola studied theater at the University of Colorado where he majored in Creative Writing. For seven years he worked as a freelance journalist and regular contributor to Village Voice Media's national chain of alt-weeklies, most notably Denver-based Westword. After uprooting himself midlife to settle in Stockholm, Sweden, La Briola worked as an extra and voice artist, then broke into professional acting at age 51, playing Italian conceptual artist Mr. Alanzo in pseudo-documentary "The Human Love Volcano". His credits include delusional organist John Doe in the multiple prize-garnering "Pipe Dream" which secured the NatGeo Genius Award (through a Grand Jury headed by Hollywood composers Hans Zimmer and Lorne Balfe.) La Briola's broad range of theater, film, TV and voice-acting roles includes devils and angels, assorted misfits and a meek retiree with dementia in the award-winning, independent road trip feature "Finding Alice".

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Film Performances

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Film Production

Co-Producer:
2020  Thorqus

Writer:
2020  Thorqus

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.