A work in constant progress (and occasional regress).
Additional Camera:
1974 I Was, I Am, I Will Be
Camera Operator:
1974 I Was, I Am, I Will Be
Cinematography:
1963 Brüder und Schwestern
1963 Globke heute
1965 Kommando 52
1966 Grüße von Ost nach West
1966 P.S. to The Laughing Man
1966 The Laughing Man
1967 Liebesbriefe
1969 The President in Exile
1971 100
1971 Bye-Bye Wheelus
1972 Remington Cal. 12
1974 I Was, I Am, I Will Be
1974 The War of the Mummies
1975 Meier's Legacy
1975 The White Coup
1976 Devil's Island
1976 Entrance Free
1976 One Minute of Darkness Does Not Blind Us
1983 Der Dschungelkrieg
1983 For Example Regensburg
1983 Im Zeichen der Spinne
1984 The Comical Game
1985 Amok
1985 Hector Cuevas
1986 Snapshots From Chile
1987 Der springende Punkt
1988 Die Lüge und der Tod
1988 Kamerad Krüger
1989 The Man Who Met the Trains
1990 Es kommt alles aus mir selbst
1990 Großer Bahnhof
Director of Photography:
1963 Brüder und Schwestern
1963 Globke heute
1965 Kommando 52
1966 Grüße von Ost nach West
1966 P.S. to The Laughing Man
1966 The Laughing Man
1967 400 cm³
1967 Liebesbriefe
1969 The President in Exile
1971 100
1971 Bye-Bye Wheelus
1972 Remington Cal. 12
1974 I Was, I Am, I Will Be
1974 The War of the Mummies
1975 Meier's Legacy
1975 The White Coup
1976 Devil's Island
1976 Entrance Free
1976 One Minute of Darkness Does Not Blind Us
1983 Der Dschungelkrieg
1983 For Example Regensburg
1983 Im Zeichen der Spinne
1984 The Comical Game
1985 Amok
1985 Hector Cuevas
1986 Snapshots From Chile
1987 Der springende Punkt
1988 Die Lüge und der Tod
1988 Kamerad Krüger
1989 The Man Who Met the Trains
1990 Es kommt alles aus mir selbst
1990 Großer Bahnhof
Cinematography:
1986 The Generals
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.