A work in constant progress (and occasional regress).
Camera Operator:
1922 A noi! Dalla sagra di Napoli al trionfo di Roma
Cinematography:
1922 A noi! Dalla sagra di Napoli al trionfo di Roma
1923 The Ascent of the Great Pyramid of Giza by Prince Leopold III
1934 Bewitching Eyes
Director:
1922 A noi! Dalla sagra di Napoli al trionfo di Roma
1923 The Ascent of the Great Pyramid of Giza by Prince Leopold III
1934 Bewitching Eyes
Director of Photography:
1921 Amore rosso
1922 A noi! Dalla sagra di Napoli al trionfo di Roma
1922 Cainà
1923 The Ascent of the Great Pyramid of Giza by Prince Leopold III
1927 Laila
1929 Daughter of the Nile
1934 Bewitching Eyes
1936 Proxy Wife
1938 Bent Elbasha El Moder
1939 Zuleikha loves Ashour
1940 Rebellious girl
Editor:
1921 Amore rosso
1922 A noi! Dalla sagra di Napoli al trionfo di Roma
1922 Cainà
1923 The Ascent of the Great Pyramid of Giza by Prince Leopold III
1927 Laila
1929 Daughter of the Nile
1934 Bewitching Eyes
1936 Proxy Wife
1938 Bent Elbasha El Moder
1939 Zuleikha loves Ashour
1940 Rebellious girl
1941 L'attore scomparso
Technical Supervisor:
1921 Amore rosso
1922 A noi! Dalla sagra di Napoli al trionfo di Roma
1922 Cainà
1923 The Ascent of the Great Pyramid of Giza by Prince Leopold III
1927 Laila
1929 Daughter of the Nile
1932 The Love Melody
1934 Bewitching Eyes
1936 Proxy Wife
1938 Bent Elbasha El Moder
1939 Zuleikha loves Ashour
1940 Rebellious girl
1941 L'attore scomparso
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.