A work in constant progress (and occasional regress).
Alias:
Эмили Атеф
Birthplace:
Berlin, Germany
Born:
January 1, 1973
Emily Atef (born 6 May, 1973; Berlin) is a German filmmaker based in Berlin. At the age of 7, Atef moved from Berlin to Los Angeles with her French-Iranian parents and her brother the drummer Cyril Atef. She was 13 when they moved to France, where Atef finished school, and later she went to London to work as an actor in the London theater scene. Atef returned to Berlin to study film direction at the prestigious Deutsche Film und Fernsehakademie Berlin. Her first feature-length film Molly's Way which, like her 2 following feature films was co-authored by Esther Bernstorff received an advancement award at the Filmfest München (film festival Munich) in 2005 for best script and the Grand Jury Award at the Mar del Plata Film Festival, the only A-Festival in South America as well as several other awards. Her second feature-length film The Stranger in Me which deals with a young mother having postnatal depression also received several awards and was screened at the International Critics' Week of the Cannes Film Festival. In 2017, Emily Atef wrote and directed the feature film 3 Days in Quiberon It depicts 3 emotional days of one of Europe's biggest stars, Romy Schneider where she gave her last German interview to ‘Stern’ magazine. 3 Days in Quiberon had its world premiere in the competition section of the 68. Berlin International Film Festival and competed for the Golden Bear. 3 Days in Quiberon was the big winner at the German Academy Awards in 2018 taking home seven Lolas. In 2022 her film More Than Ever, starring Vicky Krieps and Gaspard Ulliel, was shown in the section Un certain regard at the 75th Cannes Film Festival.
Director:
2003 Sundays
2003 XX to XY: Fighting to Be Jake
2004 Asyl
2004 I Love You, I Kill You
2005 Molly's Way
2008 The Stranger in Me
2012 Kill Me
2016 Desired Children
2016 Queen of the Night
2017 Don't Worry, I'm Fine
2018 3 Days in Quiberon
2020 Jackpot
2022 More Than Ever
2023 Someday We'll Tell Each Other Everything
???? Mercy
???? Untitled Farah Pahlavi Film
Executive Producer:
2003 Sundays
2003 XX to XY: Fighting to Be Jake
2004 Asyl
2004 I Love You, I Kill You
2005 Molly's Way
2008 The Stranger in Me
2012 Kill Me
2016 Desired Children
2016 Queen of the Night
2017 Don't Worry, I'm Fine
2018 3 Days in Quiberon
2020 Jackpot
2022 More Than Ever
2023 Someday We'll Tell Each Other Everything
???? Mercy
???? Untitled Farah Pahlavi Film
Screenplay:
2003 Sundays
2003 XX to XY: Fighting to Be Jake
2004 Asyl
2004 I Love You, I Kill You
2005 Molly's Way
2008 The Stranger in Me
2012 Kill Me
2016 Desired Children
2016 Queen of the Night
2017 Don't Worry, I'm Fine
2018 3 Days in Quiberon
2020 Jackpot
2022 More Than Ever
2023 Someday We'll Tell Each Other Everything
???? Mercy
???? Untitled Farah Pahlavi Film
Writer:
2003 Sundays
2003 XX to XY: Fighting to Be Jake
2004 Asyl
2004 I Love You, I Kill You
2005 Molly's Way
2008 The Stranger in Me
2012 Kill Me
2016 Desired Children
2016 Queen of the Night
2017 Don't Worry, I'm Fine
2018 3 Days in Quiberon
2020 Jackpot
2022 More Than Ever
2023 Someday We'll Tell Each Other Everything
???? Mercy
???? Untitled Farah Pahlavi Film
Director:
1970 Scene of the Crime
2018 Killing Eve
Writer:
1970 Scene of the Crime
2018 Killing Eve
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.