A work in constant progress (and occasional regress).
Birthplace:
Québec, Canada
Geneviève Dulude-De Celles is a Canadian film director. She received a Canadian Screen Award nomination for Best Director at the 7th Canadian Screen Awards in 2019 for her debut feature film A Colony (Une colonie). She previously directed the short film The Cut (La Coupe), which was a nominee for Best Live Action Short Drama at the 3rd Canadian Screen Awards in 2015, and the documentary film Welcome to F.L. She was a co-founder of Colonelle Films with Sarah Mannering and Fanny Drew. Description above from the Wikipedia article Geneviève Dulude-De Celles, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Camera Operator:
2023 Days
Development Producer:
2021 Like a House on Fire
2022 Stampede
2023 Days
Director:
2014 La Coupe
2016 Welcome to F.L.
2018 Fuck You Eric
2019 A Colony
2021 Like a House on Fire
2022 Stampede
2023 Days
???? Fleur bleue
Editor:
2014 La Coupe
2016 Batailles
2016 Welcome to F.L.
2018 Fuck You Eric
2019 A Colony
2021 Like a House on Fire
2022 Stampede
2023 Days
???? Fleur bleue
Executive Producer:
2014 La Coupe
2014 Lactée
2016 Batailles
2016 Welcome to F.L.
2018 Fuck You Eric
2019 A Colony
2021 Like a House on Fire
2022 Stampede
2023 Days
???? Fleur bleue
Producer:
2014 Fucké
2014 La Coupe
2014 Lactée
2016 Batailles
2016 Welcome to F.L.
2018 Fuck You Eric
2018 Snowbirds
2019 A Colony
2021 Like a House on Fire
2022 Stampede
2023 Days
???? Fleur bleue
Screenplay:
2014 Fucké
2014 La Coupe
2014 Lactée
2016 Batailles
2016 Welcome to F.L.
2018 Fuck You Eric
2018 Snowbirds
2019 A Colony
2021 Like a House on Fire
2022 Stampede
2023 Days
???? Fleur bleue
Writer:
2014 Fucké
2014 La Coupe
2014 Lactée
2016 Batailles
2016 Welcome to F.L.
2018 Fake Tattoos
2018 Fuck You Eric
2018 Snowbirds
2019 A Colony
2021 Like a House on Fire
2022 Stampede
2023 Days
???? Fleur bleue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.