A work in constant progress (and occasional regress).
Birthplace:
Canada
Kevin Krikst is a Canadian film and television producer, associated with Rhombus Media. He is most noted as a producer of the 2023 film BlackBerry, which was a Canadian Screen Award nominee for Best Picture at the 12th Canadian Screen Awards in 2024. His other credits have included the films Closet Monster, Paseo, Disappearance at Clifton Hill, Possessor and Seven Veils, and the television series The North Water. In 2019 Krikst and his producing partner Fraser Ash won the Kevin Tierney Emerging Producer Award from the Canadian Media Producers Association.
Associate Producer:
2011 Hobo with a Shotgun
2012 Antiviral
2013 Treading Water
2015 Zoom
2017 The Man Who Invented Christmas
Co-Producer:
2011 Hobo with a Shotgun
2012 Antiviral
2013 Treading Water
2015 Zoom
2016 Into the Forest
2017 The Man Who Invented Christmas
Executive Producer:
2011 Hobo with a Shotgun
2012 Antiviral
2013 Treading Water
2015 Zoom
2016 Into the Forest
2017 The Man Who Invented Christmas
2018 eHero
2019 Hammer
???? Honey Bunch
Producer:
2011 Hobo with a Shotgun
2011 More Blood, More Heart: The Making of Hobo with a Shotgun
2012 Antiviral
2013 The Anatomy of a Virus: The Making of Antiviral
2013 Treading Water
2014 Parachute
2015 Bring Me the Head of Tim Horton
2015 Zoom
2016 Closet Monster
2016 Into the Forest
2017 The Man Who Invented Christmas
2018 eHero
2019 Hammer
2020 Disappearance at Clifton Hill
2020 Possessor
2023 BlackBerry
2024 Seven Veils
???? Honey Bunch
Associate Producer:
2017 Michael: Every Day
Co-Executive Producer:
2017 Michael: Every Day
2021 The North Water
Co-Producer:
2017 Michael: Every Day
2021 The North Water
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.