A work in constant progress (and occasional regress).
Birthplace:
Sydney, Australia
Born:
July 4, 1972
Paul Leeming began his film career in Sydney in 2005 and graduated from the Sydney Film School in 2006, majoring in Directing, Cinematography and Sound. In 2007 he moved to Japan and started Visceral Psyche Films, with a view to presenting a unique aesthetic to his work. Paul has written and directed several award-winning films and shot many more as a cinematographer. Paul is also skilled as both a colorist and editor.
Cinematography:
2016 Silence
2017 The Trade
2021 Matcha & Vanilla
Director:
2014 An American Piano
2016 Silence
2017 The Trade
2021 Matcha & Vanilla
Director of Photography:
2010 Script
2014 An American Piano
2016 Silence
2017 The Trade
2021 Matcha & Vanilla
???? Go! Go! Second Time Gaijin
???? The Voice In My Head
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.