A work in constant progress (and occasional regress).
Camera Operator:
1999 Suede: Live at Perivale
2006 Deacon Blue: The Bigger Picture
2007 Billy Talent: 666 Live: Dusseldorf
Cinematography:
1999 Suede: Live at Perivale
2006 Deacon Blue: The Bigger Picture
2007 Billy Talent: 666 Live: Dusseldorf
2019 Welcome To The Dark Ages
Director:
1993 John Virgo: Playing For Laughs
1995 Help! War Child
1999 Suede: Live at Perivale
2004 A Ticket for Everyone: Busted Live
2006 Deacon Blue: The Bigger Picture
2007 Billy Talent: 666 Live: Dusseldorf
2008 Killing Joke: XXV The Gathering
2019 Welcome To The Dark Ages
Director of Photography:
1993 John Virgo: Playing For Laughs
1995 Help! War Child
1999 Suede: Live at Perivale
2004 A Ticket for Everyone: Busted Live
2005 System of a Down: Live London Astoria
2006 Deacon Blue: The Bigger Picture
2007 Billy Talent: 666 Live: Dusseldorf
2008 Killing Joke: XXV The Gathering
2008 Metric: Live at Metropolis
2008 The Cure: Coca-Cola Live @ MTV
2011 Flamenco Hoy de Carlos Saura
2013 Back With The Boys Again
2016 Judy Collins: A Love Letter to Stephen Sondheim
2019 Welcome To The Dark Ages
2024 The Cure: Show of a Lost World Live at Troxy, London
Lighting Design:
1993 John Virgo: Playing For Laughs
1995 Help! War Child
1999 Suede: Live at Perivale
2004 A Ticket for Everyone: Busted Live
2005 System of a Down: Live London Astoria
2006 Deacon Blue: The Bigger Picture
2007 Billy Talent: 666 Live: Dusseldorf
2008 Killing Joke: XXV The Gathering
2008 Metric: Live at Metropolis
2008 The Cure: Coca-Cola Live @ MTV
2011 Flamenco Hoy de Carlos Saura
2013 Back With The Boys Again
2016 Judy Collins: A Love Letter to Stephen Sondheim
2019 Welcome To The Dark Ages
2024 The Cure: Show of a Lost World Live at Troxy, London
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.