A work in constant progress (and occasional regress).
Alias:
Gudmundur Gunnarsson
Co-Producer:
2019 Hamada
Color Designer:
2008 Gender Me: Homosexuality and Islam
2019 Hamada
Color Grading:
2008 Gender Me: Homosexuality and Islam
2015 The Odelsrett
2016 Hammersborg Protecting the Bygone Future
2019 Hamada
Colorist:
2008 Gender Me: Homosexuality and Islam
2013 Sæterbakken skriver Sauermugg
2014 Gompen og andre beretninger om overvåking i Norge 1948-1989
2015 Agg
2015 King and the Crook
2015 The Odelsrett
2016 Hammersborg Protecting the Bygone Future
2016 Tipp Topp
2019 Hamada
Digital Effects Producer:
2008 Gender Me: Homosexuality and Islam
2013 Sæterbakken skriver Sauermugg
2014 Gompen og andre beretninger om overvåking i Norge 1948-1989
2015 Agg
2015 King and the Crook
2015 The Odelsrett
2016 Hammersborg Protecting the Bygone Future
2016 Tipp Topp
2019 Hamada
Online Editor:
2006 Ingen skal få ta fra meg fotballen
2008 Gender Me: Homosexuality and Islam
2013 Sæterbakken skriver Sauermugg
2014 Gompen og andre beretninger om overvåking i Norge 1948-1989
2015 Agg
2015 King and the Crook
2015 The Odelsrett
2016 Hammersborg Protecting the Bygone Future
2016 Tipp Topp
2019 Hamada
Producer:
2006 Ingen skal få ta fra meg fotballen
2008 Gender Me: Homosexuality and Islam
2013 Sæterbakken skriver Sauermugg
2014 Gompen og andre beretninger om overvåking i Norge 1948-1989
2015 Agg
2015 King and the Crook
2015 Rebels
2015 The Odelsrett
2016 Hammersborg Protecting the Bygone Future
2016 Tipp Topp
2018 The Men's Room
2019 Hamada
2021 Hello World
2025 Teenage Life Interrupted
Visual Effects:
2006 Ingen skal få ta fra meg fotballen
2008 Gender Me: Homosexuality and Islam
2009 Orps: The Movie
2013 Sæterbakken skriver Sauermugg
2014 Gompen og andre beretninger om overvåking i Norge 1948-1989
2015 Agg
2015 King and the Crook
2015 Rebels
2015 The Odelsrett
2016 Hammersborg Protecting the Bygone Future
2016 Tipp Topp
2018 The Men's Room
2019 Hamada
2021 Hello World
2025 Teenage Life Interrupted
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.