A work in constant progress (and occasional regress).
Birthplace:
Alice Springs, Northern Territory, Australia
Dylan River is an filmmaker from Alice Springs, Australia. He grew up in a creative family filled with numerous filmmakers and from an early age thought filmmaking was boring and not for him! He couldn’t have been more wrong. In 2013, his debut documentary "Buckskin", won the Foxtel Documentary Prize at the 60th annual Sydney Film Festival, followed by its airdate on ABC. In 2015, Dylan's first short film "Nulla Nulla" was selected as part of the Berlin International Film Festival. Dylan currently has been working on numerous solo projects and television series'. His work as a cinematographer fills most of his time, and is still motivated to staying behind the camera. Telling stories close to home, combining life and work as one.
Cinematography:
2017 Blasko
2023 Audrey Napanangka
Director:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2018 Finke: There & Back
2018 Ward One
2023 Audrey Napanangka
Director of Photography:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2017 We Don't Need a Map
2018 Finke: There & Back
2018 Ward One
2019 The Australian Dream
2020 A Sunburnt Christmas
2023 Audrey Napanangka
Original Music Composer:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2017 We Don't Need a Map
2018 Finke: There & Back
2018 Ward One
2019 The Australian Dream
2020 A Sunburnt Christmas
2023 Audrey Napanangka
Second Unit Director:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2017 We Don't Need a Map
2018 Finke: There & Back
2018 Sweet Country
2018 Ward One
2019 The Australian Dream
2020 A Sunburnt Christmas
2023 Audrey Napanangka
Second Unit Director of Photography:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2017 We Don't Need a Map
2018 Finke: There & Back
2018 Sweet Country
2018 Ward One
2019 The Australian Dream
2020 A Sunburnt Christmas
2023 Audrey Napanangka
Thanks:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2017 We Don't Need a Map
2018 Finke: There & Back
2018 Sweet Country
2018 Ward One
2019 The Australian Dream
2020 A Sunburnt Christmas
2021 Finding Jedda
2023 Audrey Napanangka
Writer:
2015 Black Chook
2015 Nulla Nulla
2017 Blasko
2017 Coat of Arms
2017 Finding Maawirrangga
2017 We Don't Need a Map
2018 Finke: There & Back
2018 Sweet Country
2018 Ward One
2019 The Australian Dream
2020 A Sunburnt Christmas
2021 Finding Jedda
2023 Audrey Napanangka
Creator:
2024 Thou Shalt Not Steal
Director:
2022 Mystery Road: Origin
2024 Thou Shalt Not Steal
Director of Photography:
2020 The Beach
2022 Mystery Road: Origin
2024 Thou Shalt Not Steal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.