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Will Hindle (1929-1987)

Birthplace:
Shreveport. Louisiana, USA

Born:
December 29, 1929

Died:
April 7, 1987

Biography from TheMovieDB

Will "William Mayo" Hindle (December 29, 1929 – April 7, 1987) was an independent American filmmaker of personal visual 16mm movies.  From 1958 to 1976, he made ten 16 mm motion pictures. He employed complex rear-projection rephotography, slow motion, and subtle tinting techniques in his work. His movies have been widely praised for their astonishing cinematic techniques and deep personal feeling.  Description above from the Wikipedia article Will Hindle, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

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Additional information:

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Film Performances

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Film Production

Cinematography:
1963  Non Catholicam
1968  Chinese Firedrill

Director:
1958  Pastorale d'été
1963  Non Catholicam
1966  29: Merci, Merci
1967  FFFTCM
1968  Billabong
1968  Chinese Firedrill
1969  Watersmith
1970  Later That Same Night
1970  Saint Flournoy Lobos-Logos and the Eastern Europe Fetus Taxing Japan Brides in West Coast Places Sucking Alabama Air
1976  Pasteur 3
1987  Trekkerriff

Director of Photography:
1958  Pastorale d'été
1963  Non Catholicam
1966  29: Merci, Merci
1967  FFFTCM
1968  Billabong
1968  Chinese Firedrill
1969  Watersmith
1970  Later That Same Night
1970  Saint Flournoy Lobos-Logos and the Eastern Europe Fetus Taxing Japan Brides in West Coast Places Sucking Alabama Air
1976  Pasteur 3
1982  The Selves
1987  Trekkerriff

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.