A work in constant progress (and occasional regress).
Birthplace:
Toronto, Canada
Born:
January 1, 1959
Carl E. Brown (b.Toronto, 1959) is a canadian filmmaker, photographer and writer. After two years at the University of Toronto where he studied philosophy and psychology, he decided to study filmmaking, completed in 1982 at Sheridan College. He's completed nearly twenty films which have been screened in many festivals in America, Europe and Asia, and were part of the retrospective Experience chromatiques le cinema contemporain at the Louvre in 1995.
Director:
1980 Mine's Bedlam
1982 Urban Fire
1985 Full Moon Darkness
1987 Condensation of Sensation
1989 Cloister
1989 Drop
1990 Re: Entry
1991 Sheep
1993 Air Cries 'Empty Water'
1993 Misery Loves Company
1993 The Red Thread
1994 Brownsnow
1997 Le Mistral, Beautiful But Terrible
1999 Fine Pain
1999 Two Pictures
2003 L’Invitation au Voyage
2003 neige noire
2004 Triage
2006 Blue Monet
2007 Quiet Chaos of Desire
2009 Memory Fade
Effects Supervisor:
1980 Mine's Bedlam
1982 Urban Fire
1985 Full Moon Darkness
1987 Condensation of Sensation
1989 Cloister
1989 Drop
1990 Re: Entry
1991 Sheep
1991 To Lavoisier, Who Died in the Reign of Terror
1993 Air Cries 'Empty Water'
1993 Misery Loves Company
1993 The Red Thread
1994 Brownsnow
1997 Le Mistral, Beautiful But Terrible
1999 Fine Pain
1999 Two Pictures
2003 L’Invitation au Voyage
2003 neige noire
2004 Triage
2006 Blue Monet
2007 Quiet Chaos of Desire
2009 Memory Fade
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.