A work in constant progress (and occasional regress).
Camera Operator:
2007 The Living and the Dead
Cinematography:
2007 The Living and the Dead
2009 The Torchbearer
2019 Cities I Haven't Been to
2019 Heavenly Theme
2019 Yet Another Departure
2020 Porvenir
2021 While We Were Here
2023 El Shatt – A Blueprint for Utopia
Co-Writer:
2007 The Living and the Dead
2009 The Torchbearer
2015 The Spirits Diary
2019 Cities I Haven't Been to
2019 Heavenly Theme
2019 Yet Another Departure
2020 Porvenir
2021 While We Were Here
2023 El Shatt – A Blueprint for Utopia
Director:
2007 The Living and the Dead
2009 The Torchbearer
2013 Autofocus
2015 The Spirits Diary
2017 They Just Come and Go
2019 Cities I Haven't Been to
2019 Heavenly Theme
2019 Yet Another Departure
2020 Porvenir
2021 While We Were Here
2022 Horror Vacui
2023 El Shatt – A Blueprint for Utopia
Writer:
2007 The Living and the Dead
2009 The Torchbearer
2013 Autofocus
2015 The Spirits Diary
2017 They Just Come and Go
2019 Cities I Haven't Been to
2019 Heavenly Theme
2019 Yet Another Departure
2020 Porvenir
2021 While We Were Here
2022 Horror Vacui
2023 El Shatt – A Blueprint for Utopia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.