A work in constant progress (and occasional regress).
Cinematography:
1966 The Magic Sun
Director:
1966 Morning
1966 The Magic Sun
1967 Max
1969 Annie
1969 Dog Track
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1984 Brazil 84
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2020 6 Hours of Music and Film
Director of Photography:
1966 Morning
1966 The Magic Sun
1967 Max
1968 Trio Film
1969 Annie
1969 Dog Track
1969 Line
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1984 Brazil 84
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2020 6 Hours of Music and Film
Editor:
1966 Morning
1966 The Magic Sun
1967 Max
1968 Trio Film
1969 Annie
1969 Dog Track
1969 Line
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1984 Brazil 84
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2020 6 Hours of Music and Film
Music:
1966 Morning
1966 The Magic Sun
1967 Max
1968 Trio Film
1969 Annie
1969 Dog Track
1969 Line
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1984 Brazil 84
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2014 Rice & Flowers
2015 Timepiece/Maize
2017 Ice-Out
2020 6 Hours of Music and Film
Producer:
1966 Morning
1966 The Magic Sun
1967 Max
1968 Trio Film
1969 Annie
1969 Dog Track
1969 Line
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1980 The Lobotomy
1984 Brazil 84
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2014 Rice & Flowers
2015 Timepiece/Maize
2017 Ice-Out
2020 6 Hours of Music and Film
Technical Advisor:
1966 Morning
1966 The Magic Sun
1967 Max
1968 Trio Film
1969 Annie
1969 Dog Track
1969 Line
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1980 The Lobotomy
1984 Brazil 84
1986 Combat Shock
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2014 Rice & Flowers
2015 Timepiece/Maize
2017 Ice-Out
2020 6 Hours of Music and Film
Thanks:
1966 Morning
1966 The Magic Sun
1967 Max
1968 Trio Film
1969 Annie
1969 Dog Track
1969 Line
1970 Raoul
1970 Sunsets
1972 T H I R
1973 Armand Schwerner
1975 Hannah Weiner
1975 Mozart in Love
1980 The Lobotomy
1984 Brazil 84
1986 Combat Shock
1988 CHINA '88
1988 China
1988 Some Imaginary Far Away Type Things a.k.a. Lost in the Meshes
1988 Terrace of Unintelligibility
2003 The Movement of People Working
2014 Rice & Flowers
2015 Timepiece/Maize
2017 Ice-Out
2020 6 Hours of Music and Film
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.