A work in constant progress (and occasional regress).
Caroline Monnet (Anishinaabe/French) is a multidisciplinary artist from Outaouais, Quebec. She studied Sociology and Communication at the University of Ottawa (Canada) and the University of Granada (Spain) before pursuing a career in visual arts and films. Her work has been programmed internationally at the Palais de Tokyo (Paris), Haus der Kulturen der Welt (Berlin), TIFF (CAN), Sundance (US), Aesthetica (UK), Palm Springs (US), Cannes Film Festival, Whitney Biennial (NY), Toronto Biennale of Art (CAN), Museum of Contemporary Art (Montréal), Arsenal Contemporary NY, Walter Phillips Gallery (Banff), and the National Art Gallery (Ottawa). In 2016, she was selected for the Cinéfondation residency in Paris. Her work is included in numerous collections including Quebec Museum of Fine Arts, National Art Gallery, RBC Royal Bank, Museum of Contemporary Art Montréal. Current exhibitions include the Schirn Kunsthalle (Frankfurt), the Eli and Edythe Broad Art Museum Michigan State University, and a solo show at the Montreal Museum of Fine Art. Monnet is recipient of the 2021 Hopper Prize, 2020 Pierre-Ayot award, the 2020 Sobey Art Award, the REVEAL Indigenous Art Awards, as well as grants from Canada Council for the Arts, Conseil des arts et des lettres du Québec and from le Conseil des arts de Montréal. She is based in Montreal and represented by Blouin Division Gallery.
Art Direction:
2025 Rumble
Director:
2008 360 Degrees
2009 Ikwé
2010 Tashina
2010 Warchild
2012 Gephyrophobia
2013 Demi Monde
2014 Roberta
2014 The Black Case
2015 Mobilize
2015 The Embargo Project
2016 Tshiuetin
2017 Creatura Dada
2018 Ceremonial
2018 Emptying the Tank
2019 The Seven Last Words
2021 Bootlegger
2025 Rumble
Director of Photography:
2008 360 Degrees
2009 Ikwé
2010 Tashina
2010 Warchild
2012 Gephyrophobia
2013 Demi Monde
2014 Roberta
2014 The Black Case
2015 Mobilize
2015 The Embargo Project
2016 Tshiuetin
2017 Creatura Dada
2018 Ceremonial
2018 Emptying the Tank
2019 The Seven Last Words
2021 Bootlegger
2025 Rumble
Producer:
2008 360 Degrees
2009 Ikwé
2010 Tashina
2010 Warchild
2012 Gephyrophobia
2013 Demi Monde
2014 Roberta
2014 The Black Case
2015 Mobilize
2015 The Embargo Project
2016 Tshiuetin
2017 Creatura Dada
2018 Ceremonial
2018 Emptying the Tank
2019 The Seven Last Words
2021 Bootlegger
2025 Rumble
Screenplay:
2008 360 Degrees
2009 Ikwé
2010 Tashina
2010 Warchild
2012 Gephyrophobia
2013 Demi Monde
2014 Roberta
2014 The Black Case
2015 Mobilize
2015 The Embargo Project
2016 Tshiuetin
2017 Creatura Dada
2018 Ceremonial
2018 Emptying the Tank
2019 The Seven Last Words
2021 Bootlegger
2025 Rumble
Script:
2008 360 Degrees
2009 Ikwé
2010 Tashina
2010 Warchild
2012 Gephyrophobia
2013 Demi Monde
2014 Roberta
2014 The Black Case
2015 Mobilize
2015 The Embargo Project
2016 Tshiuetin
2017 Creatura Dada
2018 Ceremonial
2018 Emptying the Tank
2019 The Seven Last Words
2021 Bootlegger
2025 Rumble
Writer:
2008 360 Degrees
2009 Ikwé
2010 Tashina
2010 Warchild
2012 Gephyrophobia
2013 Demi Monde
2014 Roberta
2014 The Black Case
2015 Mobilize
2015 The Embargo Project
2016 Tshiuetin
2017 Creatura Dada
2018 Ceremonial
2018 Emptying the Tank
2019 The Seven Last Words
2021 Bootlegger
2025 Rumble
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.