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Ken Arima (b. 1974)

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Birthplace:
Okazaki, Aichi, Japan

Born:
December 16, 1974

Biography from TheMovieDB

Born in Aichi Prefecture, Japan in 1974, he began making short films independently in the mid-1996, and co-directed four 16mm short films with Keiji Ichikawa during the 20th century. These films were highly acclaimed and received awards and screenings at film festivals in Japan and abroad. He is also active as a filmmaker, directing commercials, music videos, programs, DVD extras, and other content, as well as editing movie trailers and TV spots. In 2004, he established Bashiba Kikaku in Shinjuku, Tokyo.

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Additional information:

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Film Production

Associate Producer:
2019  Reiwa Uprising

Director:
1999  Mukade Rodeo
2005  Nipples
2006  Costume Players
2011  Neco-Ban: Cats in Your Life
2019  Reiwa Uprising

Producer:
1999  Mukade Rodeo
2005  Nipples
2006  Costume Players
2011  Neco-Ban: Cats in Your Life
2013  Paranormal Surveillance Camera 3
2018  Border Camera
2019  Border Camera 2
2019  Reiwa Uprising
2023  Old Narcissus

Script:
1999  Mukade Rodeo
2005  Nipples
2006  Costume Players
2011  Neco-Ban: Cats in Your Life
2013  Paranormal Surveillance Camera 3
2018  Border Camera
2019  Border Camera 2
2019  Reiwa Uprising
2023  Old Narcissus

Writer:
1999  Mukade Rodeo
2005  Nipples
2006  Costume Players
2011  Neco-Ban: Cats in Your Life
2013  Paranormal Surveillance Camera 3
2018  Border Camera
2019  Border Camera 2
2019  Reiwa Uprising
2023  Old Narcissus

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.