A work in constant progress (and occasional regress).
Alias:
Abai Karpykov
Абай Карпыков
Абай Садвокасович Карпыков
Birthplace:
Taldykorgan, Kazakh SSR, USSR
Born:
February 6, 1955
Abay Sadvokasovich Karpykov (Kazakh: Абай Садвокасович Карпыков; born February 6, 1955, Taldy-Kurgan) is a Soviet, Kazakh and Russian film director, screenwriter and producer. He graduated from the Moscow Historical and Archival Institute and the Directing Faculty of the All-Union State Institute of Cinematography (workshop of Sergei Solovyov). Specialty — director and producer. He produced the first Kazakh "soap operas" — "Crossroads" and "Locust". Of the full-length films, one of the first films was the film "The One who is more Tender" (1996), later he made the film "Farah" (1998). Both films starred the colorful actor Farhat Abdraimov — winner of two Russian film festivals in 1999 for these films.
Art Direction:
1987 Tactical War Game on Rough Terrain
Director:
1983 Clairvoyant Mazhiken
1987 Tactical War Game on Rough Terrain
1989 Little Fish in Love
1991 Blown Kiss
1996 All That is Tender
1997 Road, Dear, Dear...
1999 Fara
Producer:
1983 Clairvoyant Mazhiken
1987 Tactical War Game on Rough Terrain
1989 Little Fish in Love
1991 Blown Kiss
1996 All That is Tender
1997 Road, Dear, Dear...
1999 Fara
2017 100 Minutes About Love
Screenplay:
1983 Clairvoyant Mazhiken
1987 And We Will Save the Love
1987 Tactical War Game on Rough Terrain
1989 Little Fish in Love
1991 Blown Kiss
1996 All That is Tender
1997 Road, Dear, Dear...
1999 Fara
2017 100 Minutes About Love
Director:
2005 Red Deer Hunting
2007 On the Way to the Heart
Producer:
1996 Crossroad
2005 Red Deer Hunting
2007 On the Way to the Heart
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.