A work in constant progress (and occasional regress).
Birthplace:
Tallinn, Estonian SSR, USSR [now Estonia]
Born:
July 1, 1973
Marko Raat (born July 1, 1973 in Tallinn) is an Estonian film director, scenarist and operator
Assistant Director:
1992 The Lady in the Car
Director:
1992 The Lady in the Car
1999 For Aesthetic Reasons
2002 Agent Wild Duck
2006 Uncaught Miracle
2007 Knife
2008 Toomik's Movie
2010 Father, Son and Holy Theatre
2010 The Snow Queen
2015 Fast Eddy's Old News
2018 Kitchen Triptych
2019 Funeral Diaries
2024 8 Views of Lake Biwa
Director of Photography:
1992 The Lady in the Car
1999 For Aesthetic Reasons
2002 Agent Wild Duck
2004 Choose Order
2006 Uncaught Miracle
2007 Knife
2008 Toomik's Movie
2010 Father, Son and Holy Theatre
2010 The Snow Queen
2015 Fast Eddy's Old News
2018 Kitchen Triptych
2019 Funeral Diaries
2024 8 Views of Lake Biwa
Property Master:
1992 The Lady in the Car
1993 Prompter
1999 For Aesthetic Reasons
2002 Agent Wild Duck
2004 Choose Order
2006 Uncaught Miracle
2007 Knife
2008 Toomik's Movie
2010 Father, Son and Holy Theatre
2010 The Snow Queen
2015 Fast Eddy's Old News
2018 Kitchen Triptych
2019 Funeral Diaries
2024 8 Views of Lake Biwa
Screenplay:
1992 The Lady in the Car
1993 Prompter
1999 For Aesthetic Reasons
2002 Agent Wild Duck
2004 Choose Order
2006 Uncaught Miracle
2007 Knife
2008 Toomik's Movie
2010 Father, Son and Holy Theatre
2010 The Snow Queen
2015 Fast Eddy's Old News
2018 Kitchen Triptych
2019 Funeral Diaries
2024 8 Views of Lake Biwa
Writer:
1992 The Lady in the Car
1993 Prompter
1999 For Aesthetic Reasons
2002 Agent Wild Duck
2004 Choose Order
2006 Uncaught Miracle
2007 Knife
2008 Toomik's Movie
2010 Father, Son and Holy Theatre
2010 The Snow Queen
2015 Fast Eddy's Old News
2018 Kitchen Triptych
2019 Funeral Diaries
2024 8 Views of Lake Biwa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.