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Per-Axel Branner

Biography from TheMovieDB

Per-Axel Helge Branner (né Larsson; 25 January 1899 – 31 July 1975) was a Swedish actor, screenwriter and film director.

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Film Production

Director:
1931  Beneath Red Banners
1931  Fröken, Ni liknar Greta Garbo!
1932  His Life's Match
1933  Farmors revolution
1933  Pettersson & Bendel
1934  Man's Way with Women
1934  Unga hjärtan
1935  Ungdom av i dag
1936  Äventyret
1937  Konflikt
1938  A Cruise in the Albertina
1939  Adolf i eld och lågor
1939  Rosor varje kväll
1943  Hon trodde det var han
1944  På farliga vägar

Editor:
1931  Beneath Red Banners
1931  Fröken, Ni liknar Greta Garbo!
1932  His Life's Match
1933  Farmors revolution
1933  Pettersson & Bendel
1934  Man's Way with Women
1934  Unga hjärtan
1935  Ungdom av i dag
1936  Äventyret
1937  Konflikt
1938  A Cruise in the Albertina
1939  Adolf i eld och lågor
1939  Rosor varje kväll
1943  Hon trodde det var han
1944  På farliga vägar

Screenplay:
1931  Beneath Red Banners
1931  Fröken, Ni liknar Greta Garbo!
1932  His Life's Match
1933  Farmors revolution
1933  Pettersson & Bendel
1934  Man's Way with Women
1934  Unga hjärtan
1935  Ungdom av i dag
1936  Äventyret
1937  Konflikt
1938  A Cruise in the Albertina
1939  Adolf i eld och lågor
1939  Rosor varje kväll
1943  Hon trodde det var han
1944  På farliga vägar

Writer:
1931  Beneath Red Banners
1931  Fröken, Ni liknar Greta Garbo!
1932  His Life's Match
1933  Farmors revolution
1933  Pettersson & Bendel
1934  Man's Way with Women
1934  Unga hjärtan
1935  Ungdom av i dag
1936  Äventyret
1937  Konflikt
1938  A Cruise in the Albertina
1939  Adolf i eld och lågor
1939  Rosor varje kväll
1943  Hon trodde det var han
1944  På farliga vägar

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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