A work in constant progress (and occasional regress).
Alias:
Mantas Kvedaravichyus
Мантас Кведаравичюс
Birthplace:
Biržai, Lithuania
Born:
August 28, 1976
Died:
April 2, 2022
Mantas Kvedaravičius (23 June 1976 – 30 March 2022; Biržai, Lithuanian SSR) was a Lithuanian filmmaker, documentary director, anthropologist and archaeologist known for war reporting in hostile areas. Mantas Kvedaravičius was killed on 30 March 2022 during the Siege of Mariupol (Russo-Ukrainian War). Kvedaravičius held a PhD in social anthropology from the University of Cambridge, and was an associate professor at Vilnius University. His doctoral thesis concerns "Knots of absence: death, dreams, and disappearances at the limits of law in the counter-terrorism zone of Chechnya" (Cambridge University, 2012). War-torn Chechnya, one of the republics of the Russian Federation, is also the setting of his 2011 documentary film, Barzakh ("Limbo"). His next documentary film, published in 2016, focuses on the Ukrainian port city of Mariupol, which in the years 2014–15 had come under the attacks of separatist troops. In 2019, Kvedaravičius's first feature film appeared, Partenonas (Parthenon), set in Athens, Odessa, and Istanbul. Based on several years of ethnographic research, it is a movie about the enigmatic workings of memory. In arresting, often disconnected images, the pivotal character revives various lives he may have lived. "Memories betray him, but he knows for sure that in one of these lives, he will be killed." Working on yet another Mariupol documentary, Mantas Kvedaravičius was killed on 30 March 2022 during the Siege of Mariupol. Lyudmyla Denisova, Ukraine's ombudsperson for human rights, alleged that Kvedaravičius "was taken prisoner by 'rashists', who later shot him. The occupiers threw the director's body out into the street". Kvedaravičius's friend, Hanna Bilobrova, reported that two days after his death, a Russian soldier had led her to his body. She said that he had been shot in the stomach, but there was "no blood on the ground" and no bullet hole in the clothes he was wearing. Bilobrova, who brought his body home to Lithuania, has completed his Mariupolis 2 film.
Additional Camera:
2019 Isaac
Co-Producer:
2019 Isaac
2019 Parthenon
Director:
2011 Barzakh
2016 Mariupolis
2019 Isaac
2019 Parthenon
2022 Mariupolis 2
2022 Prologos
Director of Photography:
2011 Barzakh
2016 Mariupolis
2019 Isaac
2019 Parthenon
2022 Mariupolis 2
2022 Prologos
Editor:
2011 Barzakh
2016 Mariupolis
2019 Isaac
2019 Parthenon
2022 Mariupolis 2
2022 Prologos
Producer:
2011 Barzakh
2016 Mariupolis
2019 Isaac
2019 Parthenon
2022 Mariupolis 2
2022 Prologos
Screenplay:
2011 Barzakh
2016 Mariupolis
2019 Isaac
2019 Parthenon
2022 Mariupolis 2
2022 Prologos
Writer:
2011 Barzakh
2016 Mariupolis
2019 Isaac
2019 Parthenon
2022 Mariupolis 2
2022 Prologos
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.