A work in constant progress (and occasional regress).
Alias:
Carl Ullman
Birthplace:
Saint Louis, Missouri, USA
Born:
May 24, 1894
Died:
April 1, 1945
From Wikipedia William Fairbanks (May 24, 1894 – April 1, 1945) was an American actor. He appeared in over 65 silent era motion pictures between 1916 and 1928. His first film role was as Capt. Pierre Thierry in the war drama Somewhere in France (1916) starring Louise Glaum and Howard C. Hickman. He was then living at 20 Horizon Avenue in Venice, California, where he registered to vote. He appeared in five movies released in 1917, including his role as Dillon in the drama The Little Brother starring Enid Bennett and William Garwood. He was then living at 115 Dudley Avenue in Venice, where he registered for the draft of World War I. He went on to serve as an ensign in the U.S. Navy. Appearing in only one movie released in 1918, as Stuart Morley in the comedy/drama The Hired Man starring Charles Ray and Charles K. French, he was then absent from the screen for over a year due to the war. In 1920, he lived at 1309 Ocean Front in Santa Monica, and four of his movies were released that year. He was elevated to star status by independent producers Phil Goldstone and Ben F. Wilson. His screen name, taken from that of Douglas Fairbanks, whose real surname happened to be the same as his, came about with the release of his starring role in Goldstone's western Hearts of the West (1920) opposite Frances Conrad. Although Fairbanks was a busy movie star through the greater part of the 1920s, after playing Long Collins in The Vanishing West (1928), he retired from the screen. In spite of sharing the same last name, William Fairbanks and Douglas Fairbanks Sr. were not related.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.