A work in constant progress (and occasional regress).
Bill Posley is a biracial veteran who hails from Massachusetts. His father was a black activist who married a white woman. That irony shaped his comedy career. He's written on Cobra Kai (Netflix), Welcome To Flatch (Fox), Kenan (NBC). He was a JFL New Face of Comedy and won Off Broadway Alliance's Best Solo Show Award for The Day I Became Black.
Associate Producer:
2021 Fempire
Camera Operator:
2014 Pahlavan
2021 Fempire
Director:
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
Director of Photography:
2009 The Dunwich Horror
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
Executive Producer:
2009 The Dunwich Horror
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
Gaffer:
2007 Invasion of the Pod People
2009 The Dunwich Horror
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
Producer:
2007 Invasion of the Pod People
2009 The Dunwich Horror
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
2023 Dead Beats
Screenplay:
2007 Invasion of the Pod People
2009 The Dunwich Horror
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
2023 Dead Beats
Writer:
2007 Invasion of the Pod People
2009 The Dunwich Horror
2014 Pahlavan
2021 Fempire
2022 Bitch Ass
2023 Dead Beats
???? Sam and Victor's Day Off
Co-Executive Producer:
2023 Shrinking
Co-Producer:
2022 Welcome to Flatch
2023 Shrinking
Supervising Producer:
2022 Welcome to Flatch
2023 Shrinking
Writer:
2018 Cobra Kai
2022 Welcome to Flatch
2023 Shrinking
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.