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Madeline Anderson

Birthplace:
Lancaster, Pennsylvania, USA

Biography from TheMovieDB

Pioneering filmmaker and television producer Madeline Anderson is often credited as being the first black woman to produce and direct a televised documentary film, the first black woman to produce and direct a syndicated TV series, the first black employee at New York-based public television station National Educational Television (WNET), and one of the first black women to join the film editor’s union.  Anderson went on to become the in-house producer and director for Sesame Street and The Electric Company for the Children’s Television Workshop. During the early 1970s, she also helped create what would become WHUT-TV at Howard University, the country's first, and only, black-owned public television station. Anderson was critical of Hollywood and preferred to work outside of that system.

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Additional information:

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Film Performances

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Film Production

Director:
1960  Integration Report 1
1967  A Tribute to Malcolm X
1970  I Am Somebody
1975  Being Me
1975  The Walls Come Tumbling Down

Editor:
1960  Integration Report 1
1967  A Tribute to Malcolm X
1970  I Am Somebody
1973  Let the Church Say Amen!
1975  Being Me
1975  The Walls Come Tumbling Down

Producer:
1960  Integration Report 1
1967  A Tribute to Malcolm X
1970  I Am Somebody
1973  Let the Church Say Amen!
1975  Being Me
1975  The Walls Come Tumbling Down

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.