A work in constant progress (and occasional regress).
Birthplace:
Chihuahua, Chihuahua, Mexico
Arturo R. Jiménez is a Mexican filmmaker, journalist, and educator with film experience in documentary and narrative projects. Arturo is interested in exploring the ways Mexico’s history has shaped the personality and culture of its people and its ties to a border world. His most recent fiction short film is El Fantasma, a narrative account of Lee Harvey Oswald’s visit to Mexico City two months before the assassination of John F. Kennedy. The film stars Ellar Coltrane as Oswald and Fernanda Rivera as Silvia Durán. In 2022, Latino Public Broadcasting selected Arturo for their inaugural Latino Emerging Filmmakers Fellowship. He is currently in post-production on a documentary he co-directed with Edna Diaz for LPB that delves into the heart of the current feminist movement in Mexico. Arturo currently lives in Austin, Texas.
Associate Producer:
2022 Chop & Steele
Director:
2021 El Fantasma
2022 Chop & Steele
2024 Sangre Violenta / Sangre Violeta
???? Stranded, Alone, Looking for my Horse
Producer:
2021 El Fantasma
2022 Chop & Steele
2022 Green Water
2023 Give
2023 Moving Together
2024 Sangre Violenta / Sangre Violeta
???? Stranded, Alone, Looking for my Horse
Script Supervisor:
2015 Eisenstein in Guanajuato
2021 El Fantasma
2022 Chop & Steele
2022 Green Water
2023 Give
2023 Moving Together
2024 Sangre Violenta / Sangre Violeta
???? Stranded, Alone, Looking for my Horse
Writer:
2015 Eisenstein in Guanajuato
2021 El Fantasma
2022 Chop & Steele
2022 Green Water
2023 Give
2023 Moving Together
2024 Sangre Violenta / Sangre Violeta
???? Stranded, Alone, Looking for my Horse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.