A work in constant progress (and occasional regress).
Alias:
Robert Walker
Robin Walker
Birthplace:
UK
Dialogue Editor:
???? The Generators
Mix Technician:
2004 Tree Fellers
???? The Generators
Sound:
2004 Tree Fellers
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 The Invisible Mountain
???? The Generators
Sound Designer:
2004 Tree Fellers
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Sound Editor:
2004 Tree Fellers
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 Mariupolis 2
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Sound Effects Editor:
2004 Tree Fellers
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 Fall
2022 Mariupolis 2
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Sound Mixer:
2004 Tree Fellers
2012 Polaris
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 Fall
2022 Mariupolis 2
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Sound Re-Recording Mixer:
2004 Tree Fellers
2011 Kirkcaldy Man
2012 Polaris
2020 DAU. Brave People
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 Fall
2022 Mariupolis 2
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Sound Recordist:
2004 Tree Fellers
2011 Kirkcaldy Man
2012 Polaris
2014 The List Film
2020 DAU. Brave People
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 Fall
2022 Mariupolis 2
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Supervising Sound Editor:
2004 Tree Fellers
2011 Kirkcaldy Man
2012 Polaris
2014 The List Film
2020 DAU. Brave People
2020 DAU. Degeneration
2020 DAU. Natasha
2020 DAU. Nikita Tanya
2020 DAU. Nora Mother
2020 DAU. String Theory
2020 DAU. The Empire. Novel One: Return Of The Prodigal Son
2020 DAU. Three Days
2021 Bank Job
2021 The Invisible Mountain
2022 Fall
2022 Mariupolis 2
2022 The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
???? The Generators
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.