A work in constant progress (and occasional regress).
Alias:
Rina T. Yang
Rina is a director of photography based in London. She grew up in a small city in Japan, where she studied still life and portrait painting. She has been selected for the BAFTA Breakthrough 2020, and she is also the first female DOP ever to win a cinematography award at the British Arrows, as well as being nominated for a best cinematographer in fiction at the BAFTA Cymru Awards 19', making history in both commercials and narrative categories.
Additional Camera:
2016 Confessions to the Mirror
Camera Operator:
2016 Confessions to the Mirror
2016 Noriaki
Cinematography:
2016 Confessions to the Mirror
2016 Noriaki
2025 O'Dessa
Director of Photography:
2014 Roxanne
2015 Telephone Me
2016 Confessions to the Mirror
2016 Girl Electric
2016 Noriaki
2016 Noro
2016 Prima Donna
2019 Kiss of the Rabbit God
2020 Sitting in Limbo
2021 All Too Well: The Short Film
2022 Nanny
2024 The Fire Inside
2025 O'Dessa
Second Unit Director of Photography:
2014 Roxanne
2015 Telephone Me
2016 Confessions to the Mirror
2016 Girl Electric
2016 Noriaki
2016 Noro
2016 Prima Donna
2018 Bohemian Rhapsody
2019 Kiss of the Rabbit God
2020 Sitting in Limbo
2021 All Too Well: The Short Film
2022 Nanny
2024 The Fire Inside
2025 O'Dessa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.