A work in constant progress (and occasional regress).
Birthplace:
Rocky Ford - Colorado - USA
Born:
February 11, 1918
Died:
May 7, 2015
After animating all day at The Walt Disney Studios, Blaine Gibson would go home at night and sculpt; it had been a favorite hobby of his since childhood. Then, in 1954, Walt Disney happened to see one of Blaine’s art exhibits, which featured several animal sculptures, and recruited him to work on special projects for his new theme park, Disneyland. Blaine was somewhat ambivalent about being diverted from his goal to establish himself as one of the Studio’s foremost animators. As he recalled in 1995, “I didn’t think it was that important, but then I was told Walt was expecting me to work on these projects. So I said to myself, ‘what the heck’ and went [to Walt Disney Imagineering]. I was never sorry after that.” Born February 11, 1918, in Rocky Ford, Colorado, Blaine attended Colorado University, but left school to join The Walt Disney Studios in 1939. While working as an in-between artist and assistant animator, he took evening classes in sculpture at Pasadena City College and studied with a private instructor. Among his animation credits are Fantasia, Bambi, Song of the South, Alice in Wonderland, Peter Pan, Sleeping Beauty, and One Hundred and One Dalmatians. When first assigned by Walt to the Disneyland project, Blaine divided his time between sculpting and animating for the Company. In 1961, he transferred full-time to WED Enterprises, joining the design and development division to supervise the newly created sculpture department. Ultimately, Blaine went on to make a name for himself in 3-D animation, creating hundreds of sculptures from which Audio-Animatronics® figures and bronzes were produced for exhibits at the 1964-65 New York World’s Fair and Disney theme parks around the world. Among his credits are contributions to such attractions as Great Moments with Mr. Lincoln, Pirates of the Caribbean, Haunted Mansion, and the Enchanted Tiki Room. After nearly 45 years with The Walt Disney Company, Blaine retired in 1983. He continued to consult on such projects as The Great Movie Ride at Disney’s Hollywood Studios in Florida. In 1993, the same year he was named a Disney Legend, Blaine created a life-size bronze of Walt and Mickey Mouse standing hand-in-hand. The statue, called “Partners,” is located at the Central Hub in Disneyland and at Disney parks around the world. Blaine subsequently created a life-size bronze of Roy O. Disney—Company co-founder and brother of Walt—for display in Disney theme parks. -https://d23.com/walt-disney-legend/blaine-gibson/
Animation:
1946 Song of the South
1946 Squatter's Rights
1947 Figaro and Frankie
1947 Pluto's Housewarming
1951 Bee On Guard
1951 Lucky Number
1952 Donald Applecore
1952 Let's Stick Together
1952 Pluto's Christmas Tree
1952 Pluto's Party
1952 Teachers Are People
1952 Two Chips and a Miss
1960 Goliath II
Visual Effects:
1946 Song of the South
1946 Squatter's Rights
1947 Figaro and Frankie
1947 Pluto's Housewarming
1951 Bee On Guard
1951 Lucky Number
1952 Donald Applecore
1952 Let's Stick Together
1952 Pluto's Christmas Tree
1952 Pluto's Party
1952 Teachers Are People
1952 Two Chips and a Miss
1960 Goliath II
2004 Chip 'n' Dale: Here Comes Trouble
2005 Chip 'n Dale: Trouble in a Tree
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.