A work in constant progress (and occasional regress).
Birthplace:
Boston, Massachusetts, USA
Born:
January 1, 1971
Joshuah Bearman is an American journalist. He has written for Rolling Stone, Harper's, Wired, The New York Times Magazine, The Believer, and McSweeney's, and contributes to This American Life. Bearman was a contributing producer on the documentary The King of Kong: A Fistful of Quarters. Bearman is an advisory board member of 826LA, a non-profit tutoring organisation in Los Angeles. He lives in Los Angeles, California. Several of Bearman's articles have been optioned for film and television adaptation. His 2007 Wired article about a CIA mission during the Iran Hostage Crisis was adapted into the 2012 film Argo, with George Clooney producing, Ben Affleck directing, and starring. The screenplay, based on Bearman's article, won the Writers Guild Award for Best Adapted Screenplay and the Academy Award for Best Adapted Screenplay. The film won the Golden Globe Award for Best Motion Picture – Drama at the Golden Globes, the BAFTA Award for Best Film, and Best Picture at the Academy Awards. Bearman was nominated for a National Magazine Award in 2014 for his article, "Coronado High, the Story of America's First Drug Empire." It was co-published in GQ and Atavist. His writing has appeared in the Best American Non-Required Reading and Best American Technology Writing anthologies. Bearman is a former staff writer and editor for the LA Weekly. He was one half of Team USA in Walleyball, a short film by Brent Hoff about a pick-up game of volleyball at the US-Mexico border. He was the editor-in-chief of Yeti Researcher, a journal in the field of cryptic hominid investigation, published by McSweeney's. He produced and directed McSweeney's Presents, a live comedy series, as a fundraiser for 826LA, a tutoring organisation for children. In 2014, Bearman co-founded Epic, a digital publication of narrative non-fiction and a film and television production company. Description above from the Wikipedia article Joshuah Bearman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Executive Producer:
2023 Radical
2025 Lilith Fair: Building a Mystery
2027 Untitled K-Pop Movie
???? Friday Night Lights
???? Our Lady of Tears
Original Story:
2012 Argo
2023 Radical
2025 Lilith Fair: Building a Mystery
2027 Untitled K-Pop Movie
???? Friday Night Lights
???? Our Lady of Tears
Producer:
2012 Argo
2022 Breaking
2023 Radical
2025 Lilith Fair: Building a Mystery
2027 Untitled K-Pop Movie
???? Friday Night Lights
???? Our Lady of Tears
Writer:
2012 Argo
2014 This American Life: Live at BAM
2022 Breaking
2023 Radical
2025 Lilith Fair: Building a Mystery
2027 Untitled K-Pop Movie
???? Friday Night Lights
???? Our Lady of Tears
Executive Producer:
2020 Little America
2024 The Big Cigar
Other:
2020 Little America
2024 The Big Cigar
Producer:
2016 Moon Shot
2020 Little America
2024 The Big Cigar
Teleplay:
2016 Moon Shot
2020 Little America
2024 The Big Cigar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.