A work in constant progress (and occasional regress).
Grant McPhee is a Scottish film and television director and cinematographer.
Associate Producer:
2019 Death of a Vlogger
Cinematography:
2008 Between Above and Below
2019 Death of a Vlogger
2022 Beyond the Speed of Life
Clapper Loader:
2008 Between Above and Below
2008 The 39 Steps
2012 Up There
2019 Death of a Vlogger
2022 Beyond the Speed of Life
Digital Imaging Technician:
2008 Between Above and Below
2008 The 39 Steps
2012 Cloud Atlas
2012 Up There
2013 Not Another Happy Ending
2014 Under the Skin
2017 Churchill
2019 Death of a Vlogger
2020 Limbo
2022 Beyond the Speed of Life
Director:
2006 Effluvium
2007 Aphlogistic
2007 Unflame
2008 Between Above and Below
2008 The 39 Steps
2009 Bell Witch of Leith
2009 Shadow Halation
2012 Cloud Atlas
2012 Up There
2013 Not Another Happy Ending
2013 Sarah's Room
2014 Under the Skin
2015 Big Gold Dream: Scottish Post-Punk and Infiltrating the Mainstream
2016 The Glasgow School
2017 Churchill
2017 Night Kaleidoscope
2017 Teenage Superstars
2019 Death of a Vlogger
2019 Far from the Apple Tree
2020 Limbo
2021 Lori and the Six Six Sixties
2022 Beyond the Speed of Life
Director of Photography:
2006 Effluvium
2007 Aphlogistic
2007 Unflame
2008 Between Above and Below
2008 The 39 Steps
2009 Bell Witch of Leith
2009 Shadow Halation
2012 Cloud Atlas
2012 Up There
2013 Not Another Happy Ending
2013 Sarah's Room
2014 Under the Skin
2015 Big Gold Dream: Scottish Post-Punk and Infiltrating the Mainstream
2016 The Glasgow School
2017 Churchill
2017 Night Kaleidoscope
2017 Teenage Superstars
2018 Where Do We Go from Here?
2019 Death of a Vlogger
2019 Far from the Apple Tree
2020 Limbo
2021 Lori and the Six Six Sixties
2022 Beyond the Speed of Life
Editor:
2006 Effluvium
2007 Aphlogistic
2007 Unflame
2008 Between Above and Below
2008 The 39 Steps
2009 Bell Witch of Leith
2009 Shadow Halation
2012 Cloud Atlas
2012 Up There
2013 Not Another Happy Ending
2013 Sarah's Room
2014 Under the Skin
2015 Big Gold Dream: Scottish Post-Punk and Infiltrating the Mainstream
2016 The Glasgow School
2017 Churchill
2017 Night Kaleidoscope
2017 Teenage Superstars
2018 Where Do We Go from Here?
2019 Death of a Vlogger
2019 Far from the Apple Tree
2020 Limbo
2021 Lori and the Six Six Sixties
2022 Beyond the Speed of Life
Producer:
2006 Effluvium
2007 Aphlogistic
2007 Unflame
2008 Between Above and Below
2008 The 39 Steps
2009 Bell Witch of Leith
2009 Shadow Halation
2012 Cloud Atlas
2012 Up There
2013 Not Another Happy Ending
2013 Sarah's Room
2014 Under the Skin
2014 Wigilia
2015 Big Gold Dream: Scottish Post-Punk and Infiltrating the Mainstream
2016 The Glasgow School
2017 Churchill
2017 Night Kaleidoscope
2017 Teenage Superstars
2018 Where Do We Go from Here?
2019 Death of a Vlogger
2019 Far from the Apple Tree
2020 Limbo
2021 Lori and the Six Six Sixties
2022 Beyond the Speed of Life
Writer:
2006 Effluvium
2007 Aphlogistic
2007 Unflame
2008 Between Above and Below
2008 The 39 Steps
2009 Bell Witch of Leith
2009 Shadow Halation
2012 Cloud Atlas
2012 Up There
2013 Not Another Happy Ending
2013 Sarah's Room
2014 Under the Skin
2014 Wigilia
2015 Big Gold Dream: Scottish Post-Punk and Infiltrating the Mainstream
2016 The Glasgow School
2017 Churchill
2017 Night Kaleidoscope
2017 Teenage Superstars
2018 Where Do We Go from Here?
2019 Death of a Vlogger
2019 Far from the Apple Tree
2020 Limbo
2021 Lori and the Six Six Sixties
2022 Beyond the Speed of Life
Digital Imaging Technician:
2014 Outlander
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.