A work in constant progress (and occasional regress).
Alias:
Mario Handler Harmat
Birthplace:
Montevideo, Uruguay
Born:
November 10, 1935
Mario Handler was born on November 10, 1935 in Montevideo, Uruguay. He is a renowned filmmaker and photographer, considered by many to be the pioneer of Uruguayan militant cinema. He made his debut film "Vanguardista" in 1958. Afterwards he traveled to Germany where he did an internship in scientific cinema at the IWF (Institut für den Wissenschaftlichen Film). Later, in Czechoslovakia he made a documentary called In Prague. He focused primarily on class struggles. Some of his first works are "Carlos" (1964), a film-portrait of a homeless man, "Me Gustan Los Estudiantes" (1968) and "Liber Arce, Liberation" (1969) about the student protests. In 1972 he goes into exile to Venezuela due to the imminent rise to power of the military forces and the subsequent coup. Handler's later work in Venezuela involves themes of colonial domination and cultural roots, and examinations on forms of syncretism and popular religiosity. After several years of exile, he returned to Uruguay in 1999, where he directed several feature-lenght documentaries like Aside (2002) and Broken columns (2015). In 2000 he became a professor in Audiovisual Cinema at the University of the Republic.
Camera Operator:
1967 Elecciones
Cinematography:
1967 Elecciones
1971 Now We're Going to Call You Brother
Director:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1988 Mestizo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Director of Photography:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1988 Mestizo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Editor:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Executive Producer:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Music:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Producer:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1986 Mariposas S. A.
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Screenplay:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1986 Mariposas S. A.
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Sound:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1986 Mariposas S. A.
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Writer:
1964 In Prague
1965 Carlos: Film Portrait of a Montevideo Panhandler
1965 Sugar Cane Workers
1966 Juegos y Rondas Tradicionales del Uruguay
1967 Elecciones
1968 Me gustan los estudiantes
1969 Liber Arce, liberarse
1969 Uruguay 1969: El Problema de la Carne
1971 Now We're Going to Call You Brother
1975 Two Ports and a Hill
1977 Colonial Times
1985 Profesión: vivir
1986 La Matanza de Santa Bárbara
1986 Mariposas S. A.
1988 Mestizo
1992 Los Platos del Diablo
2002 Aside
2007 Tell Mario not to Come Back
2015 Broken Columns
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.