A work in constant progress (and occasional regress).
Andrew Schwarz got his start when he spent his senior year of high school interning at Fangoria Magazine, working under Tony Timpone and Michael Gingold. Upon moving to Los Angeles after college, he was assistant to the master of horror, Wes Craven. Later, as a production executive, Schwarz worked closely with indie horror filmmakers like Alistair Legrand, Paul Solet, Dallas Hallam & Patrick Horvath. His short films - RAAL, THE ELVIS ROOM, and THE SHACK - have played at renowned film festivals like Fantasia and Another Hole in the Head, and have been featured on ALTER, Bloody Disgusting, This is Horror, and Ain’t It Cool News.
Associate Producer:
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
Director:
2012 The Shack
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2020 Raal
Producer:
2012 The Shack
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2020 Raal
Producer's Assistant:
2012 The Shack
2014 The Pact II
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2020 Raal
Production Assistant:
2009 The Last House on the Left
2012 The Shack
2014 The Pact II
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2020 Raal
Production Intern:
2007 Mr. Untouchable
2009 The Last House on the Left
2012 The Shack
2014 The Pact II
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2020 Raal
Thanks:
2007 Mr. Untouchable
2009 The Last House on the Left
2012 The Shack
2014 The Pact II
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2019 Boo!
2020 Raal
Writer:
2007 Mr. Untouchable
2009 The Last House on the Left
2012 The Shack
2014 The Pact II
2015 Dark Summer
2015 The Diabolical
2015 The Nightmare
2016 The Elvis Room
2019 Boo!
2020 Raal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.