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Luca Paracels (b. 1975)

Alias:
Luca Marco Paracels
Парацелс Лука Марко

Birthplace:
Russia

Born:
December 18, 1975

Biography from TheMovieDB

Luca Marco Paracels has worked in the film industry for over 25 years. Many of those years were spent working in film production in Eastern Europe - Russia, Poland and The Czech Republic (Barrandov Studios). Luca resides in Los Angeles, CA, where he is the founder and co-owner of Revolution Sun Studios. Luca also lends his talents as a producer, creative consultant and story editor for companies like Netflix and DreamWorks, to name a few.

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Additional information:

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Film Production

Characters:
2016  Return to the Emerald City

Consulting Producer:
2011  Mission: Impossible - Ghost Protocol
2016  Return to the Emerald City

Creative Producer:
2011  Mission: Impossible - Ghost Protocol
2016  Return to the Emerald City

Editor:
2011  Mission: Impossible - Ghost Protocol
2012  The Spy
2016  Return to the Emerald City

Executive Producer:
2009  Fata Morgana
2009  The Last Day of Bulkin I.S.
2011  Mission: Impossible - Ghost Protocol
2012  The Spy
2016  Return to the Emerald City

Line Producer:
2006  The Man of No Return
2009  Fata Morgana
2009  The Last Day of Bulkin I.S.
2011  Mission: Impossible - Ghost Protocol
2012  The Spy
2016  Return to the Emerald City

Producer:
2004  Fear
2006  The Man of No Return
2009  Fata Morgana
2009  The Last Day of Bulkin I.S.
2011  Mission: Impossible - Ghost Protocol
2012  The Spy
2016  Return to the Emerald City
2019  Ahnenerbe: Inherited from the Forefathers
2020  16/8
2020  Vnutrenniy ogon
2021  1936. The beginning

Screenplay:
2004  Fear
2006  The Man of No Return
2009  Fata Morgana
2009  The Last Day of Bulkin I.S.
2011  Mission: Impossible - Ghost Protocol
2012  The Spy
2013  Cinephile
2016  Return to the Emerald City
2019  Ahnenerbe: Inherited from the Forefathers
2020  16/8
2020  Vnutrenniy ogon
2021  1936. The beginning

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TV Production

Consulting Producer:
2023  Closed Level

Editor:
2012  The Spy
2023  Closed Level

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.