Jamie Miller

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Jamie Miller is an award-winning Director/Producer of documentary, narrative, music video and commercial work. She is passionate about crafting poetic human portraits in a moment of transformation within a cinematic landscape. Jamie received a Canadian Screen Award nomination for her first short documentary Prince’s Tale, which went on to win 7 Canadian festival awards. Her short films have been screened in festivals throughout North America, Europe and Asia and have been licensed by CBC & BBC. Jamie was recently the recipient of the 2020 RBC Michelle Jackson Emerging Filmmaker award presented by the St. John’s International Women’s Film Festival for her first short drama, Proximity, currently being presented across the country. She earned her BFA in Film Production from York University in 2012, and is an alumna of DOC Breakthrough and Women in the Director’s Chair. She loves nothing more than using her own education and experience to help emerging voices cultivate their own story-telling skills.

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Co-Producer:
2013  The Water's Fine

Director:
2013  Offline
2013  The Water's Fine
2018  Prince's Tale
2021  Proximity

Producer:
2013  Offline
2013  The Water's Fine
2015  Cold
2015  Desperately Seeking Signal
2018  Prince's Tale
2021  Proximity

Producer's Assistant:
2013  Hold Fast
2013  Offline
2013  The Water's Fine
2015  Cold
2015  Desperately Seeking Signal
2018  Prince's Tale
2021  Proximity

Production Assistant:
2013  Hold Fast
2013  Offline
2013  The Water's Fine
2015  Cold
2015  Desperately Seeking Signal
2016  Closet Monster
2018  Prince's Tale
2021  Proximity

Production Coordinator:
2013  Hold Fast
2013  Offline
2013  The Water's Fine
2015  Cold
2015  Desperately Seeking Signal
2016  Closet Monster
2016  The Other Half
2018  Prince's Tale
2021  Proximity

Writer:
2013  Hold Fast
2013  Offline
2013  The Water's Fine
2015  Cold
2015  Desperately Seeking Signal
2016  Closet Monster
2016  The Other Half
2018  Prince's Tale
2021  Proximity

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.