A work in constant progress (and occasional regress).
Birthplace:
United Kingdom
Born:
December 16, 1991
Matt Shea is a British documentary filmmaker, journalist, and presenter whose documentaries often feature "crime" and "fringe" stories. Shea started his career writing for VICE Magazine. As VICE moved into digital, broadcast, and feature documentaries, he got the opportunities to produce a number of films and series including Gaycation, which featured the actor Elliot Page, and Chemsex. He is best known for being the creator, producer, and presenter of High Society, a documentary series that explores drug culture in the UK and features access to real criminals, the feature-length award-winning documentary Time To Die, which was filmed over four years and covers the illegal underground global network that illegally sources, buys, and sells assisted-dying methods, and his viral VICE documentaries such as Iceman, Targeted Individuals, The Pink Cocaine Wave, Ravers Vs. Putin, The Celebrity Millionaires of Competitive Gaming, and The Last Festival on Earth. Shea is most credited by fellow filmmakers and reporters for being the first journalist and presenter to gain access to the Albanian Mafia and Colombian Clan Del Golfo Cartel, for the Channel 4 documentary A New Cocaine Mafia, for his special VICE report about Andrew Tate called The Dangerous Rise of Andrew Tate, which was released on VICE and other platforms across the world in January of 2023 and later met with criticism from many after accusations of fabricating lies, and for helping to produce two well-received drug programs for Netflix and Channel 5, Britain's Cocaine Epidemic and Dope.
Executive Producer:
2023 The Dangerous Rise of Andrew Tate
Producer:
2023 Andrew Tate: The Man Who Groomed the World?
2023 The Dangerous Rise of Andrew Tate
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.