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Andy Mosse (b. 1981)

Birthplace:
Bristol, England, UK

Born:
January 15, 1981

Biography from TheMovieDB

Andy is a Producer working in High End TV Drama in the UK. His career began as an artist, which he subsidised through a stint teaching art at a young offenders institute and painting backdrops for Byker Grove. Inspired by the people he met, he decided to buy a small dv camera and make stories about them instead.  More recently he's produced The Tower (S2) a 4 part police drama for ITV and a 10 part Sci-Fi adventure series for Netflix called The Last Bus, which won an RTS West Award for Best Children's Programme. He has a wealth of experience in VFX-driven shows and has been immersed in Virtual Production having commissioned one of the first 360 LED Volumes in the UK with the pioneering work done for The Last Bus.  He joined Wildseed Studios as Senior Producer in January 2014 to oversee their production, including a range of comedy and animation series. In 2015 he produced The Darkest Dawn, a microbuster science fiction horror feature film. Before that, he wrote and directed a comedy series for BBC3, called Wu-How: The Ninja How To Guide, which was nominated for an International BANFF award for best interactive series.

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Film Production

Additional Camera:
2013  M.R. James: Ghost Writer

Producer:
2013  M.R. James: Ghost Writer
2016  The Darkest Dawn

Producer's Assistant:
2013  M.R. James: Ghost Writer
2016  The Darkest Dawn

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TV Production

Director:
2014  The Real History of Science Fiction

Producer:
2014  The Real History of Science Fiction
2021  The Tower
2025  The Crow Girl

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.