A work in constant progress (and occasional regress).
Birthplace:
Kapan, Nepal
Born:
May 5, 1967
Gyanendra Deuja is a Nepali film director and screenwriter known for his innovative and socially relevant movies. He directed his first film, "Rakshak," in 1997, which featured the first underwater action scene in Nepali cinema. One of his notable works is "Muna Madan," based on the epic poem by Laxmi Prasad Devkota, which was Nepal's submission for Best Foreign Language Film at the 2004 Oscars. Deuja's latest film, "Buddha - born in Nepal," explores the story of a struggling Nepali student in America. Born in Kapan, Nepal, Deuja pursued a career in banking alongside his filmmaking endeavors. He began his journey in the entertainment industry by working in theater and later transitioned to television, where he gained experience as a production assistant and chief assistant director. Deuja's reputation grew with each film, characterized by his experimental approach and focus on contemporary social issues. Some of Deuja's notable films include "Gorkhali," "Dagbatti," "Kurukshetra," and "Barmala." His film "Muna Madan" received critical acclaim and international recognition, being screened at the Palm Springs Film Festival and nominated for the Best Foreign Language Film category at the Oscars. Aside from his work in cinema, Deuja has also made contributions to Nepali television, including shows like "Golmaal," "Aankna Khulyo," "Ghaito Ma Gham," and "Kamaiya." Throughout his career, Gyanendra Deuja has been recognized for his directorial achievements. He received the Prakash Thapa Memorial Award and the KTV Film Award for his movie "Dewar Babu," and was nominated for Best Director at the NEFTA TTV Award and the Samjhana Digital Film Award for his films "Rana Sangram" and "Hifajat," respectively.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.