Nayyar Sultana (1937-1992)

Gallery Unavailable

Alias:
Malka-i- Jazbaat
Nayar Sultana
Queen of Sentiments
Tayyaba Bano
طیّبہ بانو
نیّر سُلطانہ‎

Birthplace:
Aligarh, United Provinces, British India

Born:
January 1, 1937

Died:
October 29, 1992

Nayyar Sultana was an actress from Pakistan. She became one of the foremost screen actresses of Lollywood in the 1950s and 1960s. he started her movie career with Anwar Kamal Pasha's film Qatil in 1955 as a supporting actress. Her parents were related to actress Shamim Bano, wife of famous Pakistani film producer/director Anwar Kamal Pasha. Later the same year, she landed the second lead in Humayon Mirza’s Intikhab (1955). Thereafter, she started performing lead roles with the screen name Nayyar Sultana. Her notable films include Saat Lakh (1957), Baaji (1963), Mazloom (1959), Saheli (1960).[1][2]  She briefly left the industry after her marriage with Darpan. She had a comeback in the late 1960s, but most of her films like Ek Musafir Ek Haseena (1968), Meri Bhabhi (1969), Hamjoli (1970) and Azmat (1973) were not very successful at the box office.[3]  In the 1970s, she moved to performing character roles in S. Sulaiman’s Abhi To Main Jawan Hoon and two films by Hassan Tariq, Mazi Haal Mustaqbil and Seeta Maryam Margaret.[3] These were her last critically acclaimed films before she gradually faded away from the screen. After the death of her husband, Darpan, in 1981, Nayyar managed his recruiting agency till her own death. She appeared in a few movies in the next decade. Nayyar Sultana had worked in over 225 films during her 37-year movie career and received a number of awards. She was known for performing tragic roles; as otherwise known as queen of emotions.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.