A work in constant progress (and occasional regress).
Birthplace:
Bombay - India
Born:
January 1, 1930
Died:
November 15, 1978
Films Division India began in 1948 with the purpose of recording and documenting the history of the newly formed nation. The primary medium of this visual history would be through the creation of documentary-style films. SNS Sastry joined Films Division India as a newsreel cameraman in the early 1950s. Over time, he eventually went on to become a director. Through his distinctly experimental films, he eventually became known as one of the key figures of documentary and short film practice in India. Under FIlms Division India, S.N.S. Sastry made state-sponsored films, however, he drifted away from other government filmmakers in that he developed this nervous, explosive, humorous style of films. His films were known to catch the audience's attention by juxtaposing serious topics with nuanced, ironic, and even dark humor. Even during the period of the Emergency, when state-sponsored films were heavy-handed propaganda, Sastry used images and sounds in ways that evaded fixed meanings—including an eclectic style of montage, dissonant sound, and “remix". Titles that demonstrated these possibilities of subverting state propaganda include And I Make Short Films (1968), Our Indira (1973), and This Bit of That India (1972). In all of his films, Sastry leaves the audience breathless; his visual metaphors and exciting mixes of sound and media make it so every second of every film serves some sort of purpose; blink, and you'll miss it. The audience tirelessly attempts to catch up with his satire, as he even subverts the definitions of what a documentary is supposed to be. Titles that explicitly question what it means to make documentaries include And I Make Short Films (1968) and On the Move (1970). The exact date of his birth is unknown, however, TMDB will not let me put "1930" by itself. Therefore, I have put 1/1/1930 as a placeholder; please note 1/1/1930 is not his real birthday.
Director:
1963 Malwa
1966 Yet In Him We Trust
1967 And I Make Short Films
1967 I Am 20
1970 Amir Khan
1970 On the Move
1972 Yes It's On
1973 Our Indira
1973 The Burning Sun
1974 Flashback
1975 Naya Daur
1975 This Bit of That India
1975 We Have Promises to Keep
???? He is Back
???? The Capture of Haji Pir Pass
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.