A work in constant progress (and occasional regress).
Birthplace:
Erlangen, Germany
Alex Lemke started his career in traditional optical effects work before moving into the digital world in 1994. Since 2000 he has been working as a freelance Compositor and VFX Supervisor at some of the most respected international facilities such as Weta, Double Negative and Framestore, as well as his in own VFX office in germany. His credits include “Dark City”, the “Lord of the Rings” trilogy, “Sweeney Todd”, “2012”, “Inside Llewyn Davis” and the “Hobbit” trilogy. From 2009 to 2012, we was also teaching the course “Digital Arts and Compositing” at the Vienna Film Academy, Austria. Since 2011 he has been living and working in New York.
2D Sequence Supervisor:
2003 The Lord of the Rings: The Return of the King
Compositing Lead:
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
Compositing Supervisor:
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2009 John Rabe
Digital Compositor:
1997 Ballermann 6
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2009 John Rabe
Digital Effects Supervisor:
1997 Ballermann 6
1997 Premutos: The Fallen Angel
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2009 John Rabe
VFX Supervisor:
1997 Ballermann 6
1997 Premutos: The Fallen Angel
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2009 John Rabe
2014 A Most Violent Year
2024 Drive-Away Dolls
Visual Effects:
1997 Ballermann 6
1997 Premutos: The Fallen Angel
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2007 Dard Divorce
2009 John Rabe
2014 A Most Violent Year
2017 AWOL
2024 Drive-Away Dolls
Visual Effects Compositor:
1997 Ballermann 6
1997 Premutos: The Fallen Angel
1998 Dark City
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2007 Dard Divorce
2009 John Rabe
2014 A Most Violent Year
2017 AWOL
2024 Drive-Away Dolls
Visual Effects Supervisor:
1997 Ballermann 6
1997 Premutos: The Fallen Angel
1998 Dark City
2001 The Lord of the Rings: The Fellowship of the Ring
2002 The Lord of the Rings: The Two Towers
2003 The Lord of the Rings: The Return of the King
2007 Dard Divorce
2009 John Rabe
2013 Inside Llewyn Davis
2014 A Most Violent Year
2016 Patriots Day
2017 AWOL
2018 The Ballad of Buster Scruggs
2020 I'm Thinking of Ending Things
2021 The Tragedy of Macbeth
2023 Past Lives
2024 Drive-Away Dolls
Visual Effects Supervisor:
2022 Severance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.