A work in constant progress (and occasional regress).
Alias:
Heinzi Brandner
Heinz Brandner
Camera Supervisor:
2022 Death comes to Venice
Cinematography:
2007 Queen of Condoms
2010 Rest in Peace
2015 One of Us
2018 Untamed Albania
2022 Death comes to Venice
Director of Photography:
1990 Die Täuschung des Auges durch das Ohr
1992 Wohin verschwindet das Meer bei Ebbe?
1993 Einfache Freuden
1994 Glenalbyn Drive - Featuring Hubert Schmalix
1994 Nicht fern, nicht nah
1994 Zwischen den Zimmern
1997 The Bosom Friend
1997 Wenn der Berg ruft
1998 Orvuse on Oanwe - Dudlerinnen in Wien
2001 Thanksgivin’, die nachtblaue Stadt
2007 Queen of Condoms
2010 Rest in Peace
2014 Amsterdam Express
2014 Der Ruf der Pferde
2015 Bad Luck
2015 Ein Sommer in Masuren
2015 Oh du mein Österreich
2015 One of Us
2017 Ein Sommer im Allgäu
2018 Untamed Albania
2022 Death comes to Venice
???? Rosamunde Pilcher: Jahrestag
???? The Million Dollar Bet
Editor:
1990 Die Täuschung des Auges durch das Ohr
1992 Wohin verschwindet das Meer bei Ebbe?
1993 Einfache Freuden
1993 Jenseits von Federn
1994 Glenalbyn Drive - Featuring Hubert Schmalix
1994 Nicht fern, nicht nah
1994 Zwischen den Zimmern
1997 The Bosom Friend
1997 Wenn der Berg ruft
1998 Orvuse on Oanwe - Dudlerinnen in Wien
2001 Thanksgivin’, die nachtblaue Stadt
2007 Queen of Condoms
2010 Rest in Peace
2014 Amsterdam Express
2014 Der Ruf der Pferde
2015 Bad Luck
2015 Ein Sommer in Masuren
2015 Oh du mein Österreich
2015 One of Us
2017 Ein Sommer im Allgäu
2018 Untamed Albania
2022 Death comes to Venice
???? Rosamunde Pilcher: Jahrestag
???? The Million Dollar Bet
Camera Operator:
2008 Marie Brand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.