Enzo Brandner

Alias:
Heinzi Brandner
Heinz Brandner

Additional information:

The Search Form


Camera Supervisor:
2022  Death comes to Venice

Cinematography:
2007  Queen of Condoms
2010  Rest in Peace
2015  One of Us
2018  Untamed Albania
2022  Death comes to Venice

Director of Photography:
1990  Die Täuschung des Auges durch das Ohr
1992  Wohin verschwindet das Meer bei Ebbe?
1993  Einfache Freuden
1994  Glenalbyn Drive - Featuring Hubert Schmalix
1994  Nicht fern, nicht nah
1994  Zwischen den Zimmern
1997  The Bosom Friend
1997  Wenn der Berg ruft
1998  Orvuse on Oanwe - Dudlerinnen in Wien
2001  Thanksgivin’, die nachtblaue Stadt
2007  Queen of Condoms
2010  Rest in Peace
2014  Amsterdam Express
2014  Der Ruf der Pferde
2015  Bad Luck
2015  Ein Sommer in Masuren
2015  Oh du mein Österreich
2015  One of Us
2017  Ein Sommer im Allgäu
2018  Untamed Albania
2022  Death comes to Venice
????  Rosamunde Pilcher: Jahrestag
????  The Million Dollar Bet

Editor:
1990  Die Täuschung des Auges durch das Ohr
1992  Wohin verschwindet das Meer bei Ebbe?
1993  Einfache Freuden
1993  Jenseits von Federn
1994  Glenalbyn Drive - Featuring Hubert Schmalix
1994  Nicht fern, nicht nah
1994  Zwischen den Zimmern
1997  The Bosom Friend
1997  Wenn der Berg ruft
1998  Orvuse on Oanwe - Dudlerinnen in Wien
2001  Thanksgivin’, die nachtblaue Stadt
2007  Queen of Condoms
2010  Rest in Peace
2014  Amsterdam Express
2014  Der Ruf der Pferde
2015  Bad Luck
2015  Ein Sommer in Masuren
2015  Oh du mein Österreich
2015  One of Us
2017  Ein Sommer im Allgäu
2018  Untamed Albania
2022  Death comes to Venice
????  Rosamunde Pilcher: Jahrestag
????  The Million Dollar Bet

Camera Operator:
2008  Marie Brand

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.