A work in constant progress (and occasional regress).
Alias:
Паял Кападия
Birthplace:
Mumbai, India
Born:
January 1, 1986
Payal Kapadia (born 1986; Mumbai) is an Indian filmmaker. She is best known for having won the Golden Eye award for best documentary film at the 2021 Cannes Film Festival for her film A Night of Knowing Nothing. In 2017, her film Afternoon Clouds was the only Indian film that was selected for the 70th Cannes Film Festival. Born in Mumbai, Kapadia went to Rishi Valley School in Andhra Pradesh. She got a Bachelor's degree in economics from St. Xavier's College, Mumbai. She did a one-year Master's degree from Sophia college. She then went on to study film direction at the Film and Television Institute of India, where she was selected on her second attempt.
Director:
2012 Weapons of Mass Destruction
2014 Memory Of Being Here
2014 Watermelon, Fish and Half Ghost
2015 The Last Mango Before the Monsoon
2017 Afternoon Clouds
2018 And What Is the Summer Saying
2021 Between Day & Night
2022 A Night of Knowing Nothing
2024 All We Imagine as Light
Editor:
2012 Weapons of Mass Destruction
2014 Memory Of Being Here
2014 Watermelon, Fish and Half Ghost
2015 The Last Mango Before the Monsoon
2017 Afternoon Clouds
2018 And What Is the Summer Saying
2021 Between Day & Night
2022 A Night of Knowing Nothing
2024 All We Imagine as Light
Writer:
2012 Weapons of Mass Destruction
2014 Memory Of Being Here
2014 Watermelon, Fish and Half Ghost
2015 The Last Mango Before the Monsoon
2017 Afternoon Clouds
2018 And What Is the Summer Saying
2021 Between Day & Night
2022 A Night of Knowing Nothing
2024 All We Imagine as Light
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.